KINGS in The New Yorker

KINGS “The masterly camerawork pulled me along. There were great shots that reminded me of comic book panels…the cameras do it in “Kings”; in a good way, watching the show is like reading a comic book.”

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THE HUMAN CONTRACT in The Hollywood Reporter

THE HUMAN CONTACT “Highest praise to her [director Jada Pinkett-Smith] technical team, especially cinematographer Darren Genet for his luminous sheen and provocative compositions…”

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ALL THE BOYS LOVE MANDY LANE in American Cinematographer

“‘Lyrical’ is a word that might not typically be used to describe a horror movie, but All the Boys Love Mandy Lane owes as much to Days of Heaven as it does The Texas Chainsaw Massacre.” DOWNLOAD FULL ARTICLE

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ALL THE BOYS LOVE MANDY LANE in Variety

“Beautifully shot in widescreen, visuals have been fashionably dirtied up…” –Todd McCarthy  

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SOUTH OF HEAVEN in Twitchfilm

“South Of Heaven is a visual marvel, loaded with incredibly stylized shots and broad swaths of primary colors. Like Dick Tracy, the visual world of South Of Heaven is a 1950s comic book brought to life on the big screen…” — Todd Brown  

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